Tag Archives: Kanye West

Top 25 Albums of the 2000s

I was hoping to get this one done closer to the beginning of the year, but this list is so freakin’ long that it took me awhile to write. So here we go.

25. Rockin’ The Suburbs – Ben Folds (2001)

This album became a go-to album during my first year at Iowa. I remember standing at the bus stop right outside of Burge after dinner, waiting for the bus to get back to my room in Mayflower, and listening to The Ascent of Stan over and over. The harmony starting right around minute 3:00 and especially at 3:10 just floored me, and listening to it now still hits me in a crazy way. There was just so much great stuff on here, and I hadn’t heard the piano used in such an effective, pop way before.
Top 3 Tracks:
1. Not The Same
2. The Ascent Of Stan
3. Still Fighting It
24. Feed The Animals – Girl Talk (2008)
Watch out boys and girls, this one’s definitely not one you play on a family vacation. Girl Talk is just one dude, a computer, and the most brilliant mind for mash-ups ever. Greg Gillis has taken samples of music from the last 60 years and mashed them all together in a way that makes me want to start riots. This whole album is the most high energy thing I’ve ever heard; it’s basically just straight club gangster rap over samples like The Carpenters, The Band, Chicago, Earth Wind & Fire, etc. The beat never stops. It just goes, and goes, and goes, and the listener is just happy for the seemingly endless onslaught of pure rhythm and movement that is shot like a heroin syringe right into your musical arm vein. Awesome.
Top 3 Tracks:
1. Set It Off (the Bubba Sparxx’s Heat It Up over a sample of Dexys Midnight Runner’s Come On Eileen is pure brilliance)
2. In Step (the Earth, Wind, & Fire sample of September underneath Ludacris rapping in Fergie’s Glamorous sounds SO good here)
3. Give Me A Beat (when Ice Cube’s AmeriKKKa’s Most Wanted starts over Daft Punk’s Face To Face, it makes me want to dance for seven years straight. Unbelievably great.)
23. The Odd Couple – Gnarls Barkley (2008)
Their first album was good, but man this one was so awesome. It is such a bizarre album; I have no idea how exactly to describe it or label it because it has so many different sounds. It’s like soul electro pop cartoon circus music. Whatever you want to call it, it’s awesome. Cee-Lo’s voice over the production of one my favorite producers, DJ Danger Mouse, fits so perfectly.
Top 3 Tracks:
1. Charity Case
2. Who’s Gonna Save My Soul
3. A Little Better
22. Back To Black – Amy Winehouse (2006)

Aside from her decadent lifestyle filled with drugs and alcohol abuse, Amy Winehouse belongs in 1968. Or maybe with that stuff too. The reason I loved this album so much is because it has so much Dusty Springfield/Aretha Franklin/etc. soul with just the right pinch of ’00s beat. It’s really just Motown for Generation Y. And while Winehouse has got one hell of a voice, I have to give credit to Mark Ronson for that incredible production. He pulls some favors here, as you can hear the rich sounds of the Daptone Horns playing on most of these tracks. No wonder there is so much Rhythm & Blues on this record.

Top 3 Tracks:
1. He Can Only Hold Her
2. Back To Black
3. Tears Dry On Their Own

21. Room For Squares – John Mayer (2001)

I loved this album when I was in high school. Listening to it now, it’s still good, but certainly a first record. I will say this though, I’m really glad I found this album when I was 16 and not 23. If I heard this record for the first time this last year, I would’ve probably set it down right away and not even gotten to the good stuff. On it’s own, it’s a fine album, but compared to his later work, it’s pretty bland. Far more poppy than anything else. But if nothing else, it’s really a great indication of what a great artist John Mayer is. This was his first album. How does a guy write a song like 3×5 on his first record? Impressive.
Top 3 Tracks:
1. 3×5
2. City Love
3. 83

20. FutureSex/LoveSounds – Justin Timberlake (2006)

This is one of the best second records I’ve ever heard. Justin Timberlake went from the bubble gum pop of ‘NSYNC to pop with a bit more of a hip-hop edge (thank you Neptunes) on Justified, and then holy cow did he upped his game with this one. I didn’t get into this album at first, mainly because another of my very favorite records (spoiler alert, it’s #1 on this list) came out on the same day (my bday coincidentally). But once I really dug into this, it had so much to offer. There are layers upon layers of sexy, soulful, electro-pop on this album. The interludes alone are worth the purchase price.
Top 3 Tracks:
1. LoveStoned/I Think She Knows Interlude
2. Until The End Of Time Feat. The Benjamin Wright Orchestra
3. What Goes Around…/…Comes Around Interlude

19. 19 – Adele (2008)

I don’t want to sound sexist here, but I don’t groove on female vocalists as much as male vocalists. Maybe it’s just cause I can’t sing along. Adele is a grand exception (to the me liking her, not to the me singing along). She has one of the most beautiful voices I have ever heard. Period. And to hear a voice of this caliber in our age of auto-tune and paint by numbers pop starlets is just astounding. Adele has such control in her voice, it’s remarkable. And on top of being floored by her voice, the music on this record is really great. It’s great modern British pop sounds with lots of homage to late ’60s soul. Plus one of the best Bob Dylan covers ever.
Top 3 Tracks:
1. Hometown Glory
2. Tired
3. Right As Rain

18. Alive 2007 – Daft Punk (2007)

I had a hard time not putting this one higher on my list, but in reality, I only truly fell in love with the first half of this record. But holy cow what a first half it is. I think going to a Daft Punk show would be the best way to burn calories, EVER. They put on a hell of a live show which really just equates to one colossal dance party. This show consists of just a mash-up of killer Daft Punk songs. My only beef with this is my normal beef with Daft Punk: they give us too much of a good thing. Some of the later tracks are too long and too monotonous to stay focused and into the music but that is not the case for tracks 3-5, the most glorious continuous seventeen minutes and thirty-seven seconds in music I think I’ve ever heard. The triumvirate ofTelevision Rules The Nation / Crescendolls, Too Long / Steam Machine, and Around The World / Harder, Better, Faster, Stronger is breathtakingly and relentlessly awesome. Awesome the way my grandparents use the word. The whole time I’m just filled with wonder at how incredibly cool these songs sound. It is just an onslaught of sound and beat and melody and robots and guitars and cheering and beauty. Probably great for working out.
Top 3 Tracks:
1. Around The World / Harder, Better, Faster, Stronger
2. Television Rules The Nation / Crescendolls
3. Too Long / Steam Machine

17. The Black Album – Jay-Z (2003)

If you ever want to hear an artist at his zenith, listen to this album. One might argue that The Blueprint is Jay’s best work, but I have to stick with The Black Album. The Blueprint was the game changer for Jay-Z, and this one is the one that solidified his status as King of the Rap Game. First off, the production on this thing is just insane. He’s got Kanye, Just Blaze, Timbaland, Eminem, the Neptunes, even Rick Rubin produces on this record. What a line-up. And then on top of some of the sickest beats I have ever heard, you’ve got Jay at the top of his wordplay. This is like watching Michael Jordan play basketball in 1996. His verses are just crazy good. Jay’s got swagger cause he knows this is his “last” album and he’s going out on top. You can hear a bit of sadness on December 4th when he says “Goodbye to the game, all the spoils, the adrenaline rush.” This album was truly Jay’s “grand closing.”
Top 3 Tracks:
1. December 4th
2. Encore
3. 99 Problems

16. Ray Guns Are Not Just The Future – The Bird And The Bee (2009)

I heard the first single from this album back on The Tonight Show With Jay Leno (the original, not Part Deux) and it absolutely blew me away. I even blogged about it I think. Yup I did. This woman’s voice is just perfect, so soft and pretty and melodic and overtaking. Her harmonies are gorgeous. The chorus on Diamond Dave has some of the prettiest vocal layering ever. And the music production is so weird, it’s like jazz/pop rooted in electronica. It sounds like an odd mix, but the sound combinations produce such a huge wall of breathtaking music.
Top 3 Tracks:
1. My Love
2. Ray Gun
3. Diamond Dave

15. Try! – John Mayer Trio (2005)

Who knew John Mayer could play the guitar? I did. And so many of his fans did too, but this album, along with the arrival of the Trio was the moment we could hold our heads up high and no longer be reviled for being fans. This is a powerful album from the guy whose record company had released Daughters as his previous single. He breaks out of that mold completely though, introducing his young fans to hits by Ray Charles and Jimi Hendrix, as well as showing them what Daughters was originally written as (slow soul tune). And a seven and a half minute slow blues tune too? From the Wonderland guy? John Mayer effectively avoided getting pigeonholed with this album and started to dictate his own career rather than having it dictated to him by his record label. And in the process, you gave us a pretty bad ass record. Well done, John.
Top 3 Tracks:
1. I Got A Woman
2. Wait Until Tomorrow
3. Gravity

14. X&Y – Coldplay (2005)

The Joshua Tree for my generation. Coldplay had had a small hit with Parachutes, gained some notoriety with A Rush of Blood to the Head, but this was the album with hype. Everybody wanted to see where they would go next and they took it to another dimension with this one. A dimension where bands only play arenas. Every song on this album seems like it would fit a giant stadium better than anything else (coincidentally, Coldplay just performed an acoustic version of A Message on the Hope for Haiti TV special months ago, and it was SOOO great). I fell in love with this album. So many immense sounds and instruments and melodies and harmonies and it’s just so great. No one can write emotion that bursts out of your soul into song like Coldplay. And this album proved that.
Top 3 Tracks:
1. What If
2. Fix You
3. The Hardest Part

13. Miles Remixed – The Apple Juice Kid (2008)

This one is maybe the least well known on my list. Okayplayer.com (The Roots website) featured this album as a free download by kind of famous producer The Apple Juice Kid. I had never heard of him but the album cover looked sweet and I had a fairly large Miles Davis collection, which I enjoyed listening to from time to time so I thought I’d give it a try. Glad I did. This is one of the smoothest sounding albums ever. It combines the jazzy melodies of Miles Davis from the ’50s and ’60s with some beautifully smooth hip-hop beats. AJK has just taken bits and pieces from some of Davis’ seminal works and cut them up, rearranged them, and mashed them together in a way that is just so easy on the ears. That’s one reason I liked this so much. I listened to this when I studied, I listened to it playing darts in our duplex garage, it was perfect mood music. There were so many nights that Kevin and Colleen and I would stay up late, throwing darts, drinking a bit and just talking while this was playing in the background. It creates a very tranquil atmosphere in which to hang out. Jazz often turns lots of people off due to its grand or seemingly pompous nature. This is an album that takes jazz and makes it completely listenable.

Top 3 Tracks:
1. SnapMusic
2. Masco
3. ViolinGreen
12. Catching Tales – Jamie Cullum (2005)

This album finds its strength by being very catchy pop, but rooted in something that isn’t ubiquitous in today’s music scene. Jamie Cullum has the jazz piano chops to pull this album off super well. He’s got crazy chords all over the place and sexy progressions and melodies, it’s just so much fun to listen to. His voice can be a bit grating at first listen, but with time, one comes to realize how much control he’s got and how easily he can manipulate his voice. And hoo boy can this guy scat!
Top 3 Tracks:
1. 21st Century Kid
2. My Yard
3. Nothing I Do

11. Parachutes – Coldplay (2000)

It’s remarkable that Parachutes is a debut album. Coldplay writes and sings and plays with depth, emotion, and some real sexy piano music. Chris Martin might not have the most technically perfect voice ever, but he does exactly what he needs to do song after song here. Listening back to it, it’s amazing to hear how much depth these guys wrangle out of their acoustic guitars. One of my favorite records ever.
Top 3 Tracks:
1. Trouble
2. We Never Change
3. Sparks

10. Late Registration – Kanye West (2005)

Another great sophomore album. I liked The College Dropout fine enough, but this is when I knew for sure that Kanye could deliver and his debut wasn’t a fluke. There are so many great tracks here, and the music is insanely eclectic. Kanye brought in an outsider not really known for producing hip-hop, Jon Brion. He is known for scoring movie soundtracks such asMagnolia, Punch-Drunk Love, Eternal Sunshine Of The Spotless Mind (one of my personal favorites), and Synecdoche, New York, among many others. And his influence on this record is key. Kanye is great but pushed the boundaries of his own style with Brion’s help. This is a bizarrely eclectic albums with sounds you’d never expect from a huge hip-hop star. Also, Kanye lays down some amazing samples all over the place here, including, but not limited to, Otis Redding, Ray Charles, Curtis Mayfield and Bill Withers. How much more soul can you fit onto one record?
Top 3 Tracks:
1. Gone Feat. Consequence and Cam’Ron
2. Crack Music Feat. The Game
3. Gold Digger Feat. Jamie Foxx
9. Heavier Things – John Mayer (2003)

There is so much growth between this record and Room For Squares. He went from writing pretty run of the mill pop songs to songs with some punch to them. Sure, these are mostly all pop songs again, but with just enough soul hidden inside that they can catch you off guard. One of the strengths of this album is that it matches sonically with what he’s singing about. The feelings evoked by the words of Wheel is exactly the feeling evoked by the music of the song. And many of these songs just hit bullseye in that regard. Clarity, Something’s Missing, Split Screen Sadness. There is emotion that lines up just perfectly between music and lyrics. It is a very satisfying listen.
Top 3 Tracks:
1. Clarity
2. Wheel
3. Something’s Missing

8. Discovery – Daft Punk (2001)

I know I’ve written about this album somewhere else. Thinking about it now it might be in an unpublished Top 5 Favorite Artists blog somewhere. Anyway, this album rules. For me, it’s the sum of everything good about Daft Punk’s strengths. In their older stuff, the “techno” sound of their music overtakes everything and they don’t use any restraint. On this album, they take the techno sound and turn it into songs that are listenable. Real songs, not just seven minute club tracks. Songs with different parts, verses, choruses, the occasional bridge here and there. It’s that complex of a thing, but when they start writing real songs in their crazy robot sounding style, it’s so awesome.
Top 3 Tracks:
1. Digital Love
2. Something About Us
3. Harder, Better, Faster, Stronger

7. Fly Or Die – N*E*R*D (2004)

This album is the summer of 2004 for me. There is hardly anything that makes sense on this album musically, considering who N*E*R*D is and the kind of music they made before this. Since some of N*E*R*D’s members make up the hip-hop production team The Neptunes, you’d think this album would be rooted in hip-hop. Not at all. While there are some flavors of hip-hop throughout, this is far more of a crazy pop-rock album than anything else. Am I supposed to dance to these songs or “rock out” as the saying goes? Who knows. You listen and you love it.
Top 3 Tracks:
1. She Wants To Move
2. Maybe
3. Breakout

6. Once – Glen Hansard & Marketa Irglova (2007)
Most soundtracks are comprised of songs from which clips were featured in the movie. This one is different; almost all the songs from the soundtrack are performed in their entirety in the movie. Which, now that I think about it, makes the movie more of a musical than anything. Tangent. These songs are breathtaking. The voices are simple; his voice warbles from time to time, but you can tell he means every word he sings. That is truly a rare trait in music today. Her voice is beautiful; so simple and it fits right where it needs to. She doesn’t overpower him and only adds to him. It’s perfect. Their combination is so well-matched. It might be such an emotional album for me because it’s so intimately tied to the movie. When I hear these songs, I think of the relationship between these two characters and that they are really singing these songs to each other. They are singing about hurt, about loss and pain and failure and love and hope. When The Guy really lets his voice loose in Say It To Me Now, it is chilling because you hear what he is feeling. That is where the strength in this album lies. There isn’t anything technically out of this world, it’s mainly just two simple voices over simple instruments. The beauty lies within the feeling behind each voice and how much they can communicate with just their voices. Amazing.
Top 3 Tracks:
1. Say It To Me Now
2. Lies
3. Once

5. Graduation – Kanye West (2007)

Highest ranked rap album on my list here. Kanye reached his zenith with this album. He had a great sound on The College Dropout, tweaked it just enough with Late Registration and hit the nail on the head with this album. Just great production here, all the way through. The craziest samples ever. Steely Dan, Daft Punk, Elton John, Curtis Mayfield, and one of my absolute all time favorite samples ever, Michael Jackson’s P.Y.T. (Pretty Young Thing) samples in Good Life. Maybe the hottest sample ever. So clever too. P.Y.T. is such an incredible pop song, and Kanye just took it and slowed it waaaay down, until it’s almost unrecognizable. It took me lots and lots of listens before I realized he was even sampling anybody, and then I had to really focus to catch the sample. So subtle but man the end product is just so hot. And can I talk aboutFlashing Lights for a second? I don’t even think I should. This is definitely on my Top 5 Hip Hop Songs list. It is undeniable how great the beat in that tune is. This album isn’t perfect (Drunk And Hot Girls and Big Brother are two huge blemishes), but where Kanye gets it right, he REALLY gets it right. Beats and rhymes both. He was completely on top of his game here.
Top 3 Tracks:
1. Flashing Lights Feat. Dwele
2. Good Life Feat. T-Pain
3. Homecoming Feat. Chris Martin

4. Viva La Vida or Death And All His Friends – Coldplay (2008)

It has to be hard to release albums each better than the last. Coldplay has pulled it off for the last decade. Impressive. I had a lot of high hopes for this album and was totally blown away by it. The sounds here are just crazy. The intro song, Life In Technicolor, just starts with the craziest sounding weird piano instrument and opens into a huge rolling sea wave of sound that overtakes you and doesn’t let you come up for air until the end of the album. The band paints so many landscapes with the songs. If I was to make a music video for Cemeteries Of London, I would have the band playing the song amidst a giant Revolutionary War battle. Cannons firing all around them, soldiers bayonetting each other. The song just sounds like a colossal battlefield to me. And how about Viva La Vida? Maybe the most inspirational sounding song I’ve ever heard. Really though, this whole album boasts songs that are just big. They belong in another universe. Just like X&Y, I feel like the only place they could ever truly live is in a giant stadium arena. I can’t imagine Death And All His Friends any other way than the whole band performing it in front of tens of thousands of fans. All the way through, this album just sets my heart on fire.
Top 3 Tracks:
1. Lost!
2. Viva La Vida
3. Life In Technicolor

3. Voodoo – D’Angelo (2000)

Remember that sexy music video from about ten years ago of that super buff black guy singing the song with no clothes on? The camera rotated around his whole body, just showing his insanely ripped torso? That was D’Angelo. And that video basically communicates what this album is all about. SEX. But it really is so much more than that too. But the sexy is the most obvious element of this album. I’d never heard music made of silk before this one. Each song is a study in not just how to get a certain feeling behind the music, but how that feeling can be communicated by the musicians. True, the feeling here is sexual/sensual soul, but it’s so well communicated by how the instruments are played. The bass is pushed so far back behind the beat, it’s like a game between the musicians to see how off kilter they can take the music without completely tearing everything apart. Imagine musical notes dancing around each other like they know some sexy business is going down soon. That is this album in a nutshell. Reading over that again, that’s the worst comparison I could come up with but it’s the only way I can communicate how much soul this album has. So much.
Top 3 Tracks:
1. Greatdayindamornin’ / Booty
2. One Mo’ Gin
3. Feel Like Makin’ Love

2. Al Green – Lay It Down

Al Green is one of those classic artists that has enough credibility from the last fifty years that basically most anyone you ask would say “Oh yeah, I love Al Green!” when really the only songs they know are Let’s Stay Together, Love And Happiness, and if you’re lucky, Call Me (Come Back Home). I used to be one of those people, at least until two years ago. And then he released this album. After the opening bass riff of the first track, I was sold. Not only on this album, but on Al Green as a musician in general. This was the album that did it though. Produced by ?uestlove and James Poyser, both from The Roots, this album is like the incarnation of the ’70s Al Green soul imputed into the R&B of today. Holy moly is it fun to listen to. Soft guitar, bass lines that are just out of this world, horns that could only have come from James Brown’s band, and all of this lays the setting for that silky falsetto of Al Green. A few great guest spots too, John Legend, Anthony Hamilton, and Corinne Bailey Rae. And the songs are just good songs. Songs about love. No politics here. No messed up relationships. Just simple love songs, of which good ones are very hard to find nowadays.
Top 3 Tracks:
1. Just For Me
2. Lay It Down Feat. Anthony Hamilton
3. What More Do You Want From Me

1. John Mayer – Continuum

It might be a while before Mayer tops this album. This one came at just the right time; he was at just the right spot in his musical timeline to coalesce so many different genres and influences into a modern masterpiece. He touches on blues, jazz, funk, lots of pop, and in general just music that can be enjoyed by such a wide range of humans. And that’s just the music. Lyrically, he reaches into the deepest depths of anything he had done (and even stuff he’s done since this album). There are truly universal themes here, themes that at some point or another, everybody thinks about this stuff. Everybody has issues with seeing their parents age. Everybody has issues with dealing with the good and the bad in life. Everybody deals with the concept of belief in one form or another. Everybody deals with fighting off the world in order to hold onto their confidence. There is genius writing all over this one. And back to the music again, every song can be traced back to its influence if you listen closely enough. This album sent me on a hunt to find what inspired it. Here’s a short list: Curtis Mayfield, Eric Clapton, Buddy Guy, George Harrison, Steely Dan, Coldplay, and Ray Charles. And that doesn’t even cover all of the songs. It’s hard to find things that aren’t really, really great on this album. And that’s why it’s on the top of this list. It’s so difficult to pull together such a great mix of elements and pull it off so perfectly as Mayer does here. Great album art too.
Top 3 Tracks:
1. I Don’t Trust Myself (With Loving You)
2. Slow Dancing In A Burning Room
3. Stop This Train
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make up some music.

this thing is so freakin’ sweet.
directions:
click any of the squares. each square makes a tone. each square in a horizontal row makes the same tone at a different timed interval. if you light up two squares next to each other, there will be no pause between the tones. light up two squares with a space in between and you’ll get a longer interval between tones. likewise, each square in a vertical column makes tones; the lower the square in the column, the lower the tone. press space to clear the board and start over.
on top of that, if you click on the audiotool button below the grid, and then the audiotool button again on the next page, it loads a flashplayer program where you can basically make your own beats in your web browser. and we’re not just talking one simple keyboard here. there are so pedals, electric keyboards, soundboards, and other equipment that you can use to tweak your beat. i discovered all this like ten minutes ago so i hardly even know what kinds of stuff i can do. this is clearly for experts, i’m gonna look at it for like thirty seconds, not figure anything out and be done.
but the tone matrix is awesome. and simple. whether you spend a long time figuring out some nifty little beat in your head or you just randomly light up a bunch of squares, you’ll have a very cool sounding thing. have fun.
-jon
p.s. this is from k. west’s blog. bummer about him this weekend.

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the grammys.

disclaimer: as my roommates and i do not pay for or have access to cable television, or any television for that matter, i was not able to watch the grammys. everything i know of last night’s award show is hearsay from the internet.

let’s start with the positive. or the dark cloud with a silver lining. quite a back story here. chris brown and rihanna were both scheduled to perform at the grammys. before the awards show, chris brown turned himself into the police for reports of alleged assault, so he pulls out of the show. rihanna, for reasons unknown, also pulls out of the show. there is a lot of speculation as to whether rihanna is the victim of the alleged assault. regardless, instead of having their performances, the grammys threw together one of my dream-come-true performances.

let’s stay together – jt and al green.

notice it’s only great, not super great. it’s a cool line-up of old/new musicians, but it’s sort of a ho-hum performance with nothing really special to write home about. plus it’s really short.

worst juxtaposition of artists performance: burnin’ up/superstition – stevie wonder and the jonas brothers.

i’m sorry, did you just say the jonas brothers? yeah, so they might be the new face of pop music, but come on. these guys in no way have the chops to be put next to stevie wonder, living legend of r&b, soul, pop, jazz, funk, or whatever other genre you could attach to him. the man is an incredible artist, and he is stuck playing “burnin’ up” alongside two crappy guitarists and some iffy vocalists. what happens to nick, who is supposed to be the good singer in the group, when he first starts his verse of superstition? and kevin and nick both playing guitar…it’s a bummer to me that in our culture, showmanship is favored over actual talent. you might not be able to play your instrument very well, but if you are a natural born performer, than you will probably be famous. shame. and joe needs to stop trying to growl when he sings. it’s not happening buddy.

hip-hop performance of the night: swagger like us – m.i.a., jay-z, kanye, t.i., lil wayne

http://www.worldstarhiphop.com/videos/e/16711680/wshhl5ke1s59X4EJXiUa

this is ok. m.i.a. is incredibly fat. jay-z clearly has the most class of any of them. kanye, since when did mullets become fashionable again? t.i. kind of just sucks. and lil wayne, my goodness i do not understand what the appeal of this guy is. he won some grammys last night, thank goodness he didn’t win the big one, album of the year. granted i haven’t heard his universally-hailed album tha carter III, but what i have heard is just bad. awful beats, like painful to listen to. i do not get why he is so freakin’ popular.

so those were the performances i saw. there was one little “bombshell” dropped by some presenters. blink-182 is reforming. an ellipse is really the only way i can communicate my emotion for news. blink sucks. they are basically responsible for making that crappy pop-punk garbage that infests the radio nowadays phenomenally popular. but i mean come on, who doesn’t love a band who releases albums such as enema of the state and take off your pants and jacket? and honestly, who can forget their cameo (the mere fact that it’s a cameo just makes me fandom soar) in the classic coming-of-age movie american pie? HORRIBLE. all the way around they are a terrible band who should not make any more music or try to be relevant at all. in any way.

ok as far the winners of the grammy awards go, i was generally fine with it, with a few exceptions.

1. jennifer hudson won for best r&b album. without a doubt, this should’ve gone to al green for lay it down, by far the BEST r&b, and nearly the best of any genre, album released in 2008.
2. raising sand and songs from it won record of the year, album of the year, and best pop collaboration with vocals, among other awards. now i get that this is a really good album. i’ve listened to it, and it was ok. i didn’t fall in love with it. it’s got a very distinct sound that i am surprised has garnered so much acclaim. but record AND album of the year? no way, especially when you look at both of those lists: coldplay, adele, radiohead. there was so much good music that probably should’ve won. and best pop collaboration with vocals should’ve absolutely gone to alicia keys and john mayer for lesson learned. i think i’ve written about this song before, how it is one of the most gorgeous pieces of music i’ve ever heard in my life. robert plant and alison krauss sound good together, but alicia and john KILLED it with that song. such a bummer. my biggest beef with raising sand winning so much, and are you ready for the bombshell here? IT WASN’T EVEN RELEASED IN 2008! it was released october 2007! and it won the grammy for best pop collaboration with vocals LAST YEAR! it’s ridiculous. how is that even allowed? upsetting.

while i was displeased with those awards, i was EXTREMELY pleased when i found out daft punk had won for best dance recording AND best electronic/dance album, with around the world / harder, better, faster, stronger and alive 2007, respectively. SO deserving. that album is awesome.

so all in all, a pretty good show (i think, since i didn’t really watch it). let’s hope the oscars aren’t any worse.

-jon

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808s and heartbreak.

so it’s been a little more than a week since kanye west released his latest, 808s and heartbreak. granted, i didn’t have loads of time over break to digest it, but i feel at least introduced to the album now. here are my initial thoughts.

actually i want to start by saying that i am excluding pinocchio story from any review i do of this album. that song is so terrible and i’m so confused as to why kanye tacked it on the end. kanye might’ve said “scrotum” in graduation’s closer, big brother, but that tune is far and away better than pinocchio story. so i’m not even counting that as part of the album. moving on.

right off, i knew it was gonna be different. i did my very best not to go into it thinking it was “kanye’s fourth album”. and it’s not at all. the whole thing feels like a side project rather than an album in the “kanye west” discography. obviously as time goes on, as his listeners absorb this album and he releases more, we will find where it fits with the rest of his albums. but right now, a week after it came out, it doesn’t feel like it fits anywhere with his previous three records. he sings and makes use of the auto-tune through the whole thing. no real rapping here, at least by kanye. this isn’t really a bad thing though, at least it doesn’t take away from the album. kanye isn’t a good singer (if you’ve ever heard him live…egh.) but the auto-tune corrects his off pitches and gives him a robotic element that is pretty cool. very importantly though, he doesn’t overdue the robot voice like t-pain, so i haven’t gotten sick of that.

the thing right away that was hard for me to get around and i’m still trying to get used to is the music. talk about veering away from what worked for him. kanye was one of the kings of sampling and organic, original hip-hop beats. this is so far away from that. he used a drum programming machine, the roland tr-808, for most of the beats, and instead of actually sounding like a real drum kit, a lot of the foundational beats of this album sound really computery. still, not necessarily a bad thing, but what he layers on top is what i didn’t warm up to right away. there’s more piano here than his previous work, which isn’t bad, but a lot of it is just really repetitive. and that’s where i think i go off track with this record. there is so little variation here. almost all the songs are just one chord progression with little difference between the chorus and verses. there isn’t enough that draws me in. lots of reviews i’ve read are saying things like this is a bold move from his previous work and it’s a really new original thing for him to do. i’d say it’s a bold move, but i wouldn’t say it’s original. so many of the songs sound like what everybody else is doing right now. with a few exceptions, this could’ve been an album from t-pain or akon. it’s new in terms of kanye’s catalogue, but in terms of popular music right now? not at all. heartless is such a bore to listen to for me because not only it is super repetitive, it sounds like a thousand other people’s songs. same with robocop (especially robocop) and see you in my nightmare. amazing sounds like it was made 100% by timbaland. street lights sounds like a postal service tune with a black guy singing. it just didn’t sound new to me, didn’t seem fresh.

i could go through song by song and pick out things i don’t like, but i don’t really want to do that. i think my biggest critique is that this doesn’t seem that new to me. i feel like i’ve heard songs like this before from other artists of whom i’m not a huge fan. i was hoping for something totally off the wall in terms of not only kanye’s music but music in general, not something inspired in any way by lil wayne. there seems to be a lot of potential on this album, it’s just not pushed as far as it could go. like love lockdown, it’s an awesome song, whenever the african drums are getting pounded. but when they stop it’s like are we even listening to a song anymore? this whole album is sparse and i think i was hoping for a little more.

i’m in kind of a rough place cause i don’t want to bad talk this album a lot, i don’t even want to go as far as to say i’m disappointed in it. cause i kind of knew this is how it was gonna be and this is how i was gonna respond to it. but after my first listen through, there wasn’t a single song that i really wanted to go tell colleen about or made me jump around my room. there weren’t any flashing lights or good life type tracks. this just isn’t exactly my style of music. if this album had been released by anybody i probably wouldn’t fall in love with it. kanye hasn’t alienated me with this, he just released an album i’m not particularly crazy about.

least favorite track: see you in my nightmare feat. lil wayne
awful. all the way around. sorry, where the heck is the beat? there is nothing solid at all. and that synth. did kanye choose the “mosquito” setting on his keyboard? horrible sound. and lil wayne…man i am still confused where this guy came from and how he is so popular. i guess i never listen to the radio so i never, ever hear his songs, but i feel like he just popped up like 9 months ago and was suddenly the most popular rapper around. whatever, that’s something for another blog. what is important is that his verse on this song is not good. this whole break-up theme, “see you in my nightmare” idea isn’t good at all. i love break-up songs as much as the next guy, but if you’re really gonna complain about your break-up, do it in a way that is engaging. this is not engaging. this is engaging (#4 for the best angry break-up song ever). it’s just not an original concept.

favorite track: paranoid. this is my jam. my favorite for sure. super fun beat, great sing along chorus, the chords keep me guessing, it’s just an all around awesome tune. thanks for this one ‘ye.

-jon

p.s. give me another week and i will like this whole album more than i do now. i started writing this yesterday and listening to the record while finishing this up, i’m liking all the songs even more now than before. so this review only really applies to the first week of listening to the album for me.

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BEST WEEK EVER.

this week will be the best in a long time. for many reasons, but very much because of music. here’s what i’m talking about.

– 808s and heartbreak. remember when i wrote about my favorite artists releasing music? tomorrow is one of those days. kanye west is dropping his fourth studio album, and i’m all sorts of excited/nervous about it. excited cause it’s kanye, nervous because he doesn’t rap. we’ll see. either way it’s something to get amped for.

– tonight i stopped by the cedar falls public library to grab the hobbit (hopefully will have that finished by the end of the week) and i happened to glance at their cd collection, which last time i was there consisted of lots of classical, babyface’s mtv unplugged, and timbaland presents: shock value. this time was much better. i found john mayer’s where the light is and joss stone’s introducing joss stone, two albums interlibrary loan said they couldn’t find. super exciting. exciting because the joss stone album is executive produced by raphael saadiq, who is awesome, and joss has a great voice so they will be a great mix, and also exciting because i finally have a legitimate version of john mayer’s cover of free fallin’ (so incredible.) and also his first released version of in your atmosphere, one of my original favorite songs of his. and even though i’ve got tons and tons of live jm shows, whenever he releases anything legitimately recorded, i get excited. i’m listening to free fallin’ right now and it sounds so so good. the guy sure knows how to record an album. so these two are super great.

– ok as i was writing this next paragraph, i realized that coldplay’s new ep, prospekt’s march, is actually being released tomorrow (monday) like kanye’s album. which means it is 2:43 am and i could go to wal-mart right now and buy the ep if i wanted. holy cow. it’s so late but man do i want to hear the ep. i just checked websites of wal-mart, target, and best buy, and target for sure has it the cheapest so i think i’m gonna wait until tomorrow to pick it up. anyway. the ep consists of 8 tracks, 6 new recordings, 2 redos, and i am really excited. over the last five months viva la vida has become possibly my favorite coldplay album, and hearing material that almost made it on the record is really exciting. it’s gonna be great.

– saturday night. my fiance and i are seeing al green live. LIVE. a legend. some adults talk about how they saw frank sinatra, after saturday i get to say, for the rest of my life, that i saw al green perform. i am ecstatic. he is playing at an old theatre in downtown kansas city, a real place with a bar in the back and nice seats. we will probably sit and watch. maybe get a drink. it will be a magical night.

what a week. i can’t wait to write more about all this music. in the meantime, here’s this gem.

nobody sings melody variations like john mayer.

-jon

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