25. Rockin’ The Suburbs – Ben Folds (2001)
Tag Archives: Kanye West
disclaimer: as my roommates and i do not pay for or have access to cable television, or any television for that matter, i was not able to watch the grammys. everything i know of last night’s award show is hearsay from the internet.
let’s start with the positive. or the dark cloud with a silver lining. quite a back story here. chris brown and rihanna were both scheduled to perform at the grammys. before the awards show, chris brown turned himself into the police for reports of alleged assault, so he pulls out of the show. rihanna, for reasons unknown, also pulls out of the show. there is a lot of speculation as to whether rihanna is the victim of the alleged assault. regardless, instead of having their performances, the grammys threw together one of my dream-come-true performances.
let’s stay together – jt and al green.
notice it’s only great, not super great. it’s a cool line-up of old/new musicians, but it’s sort of a ho-hum performance with nothing really special to write home about. plus it’s really short.
worst juxtaposition of artists performance: burnin’ up/superstition – stevie wonder and the jonas brothers.
i’m sorry, did you just say the jonas brothers? yeah, so they might be the new face of pop music, but come on. these guys in no way have the chops to be put next to stevie wonder, living legend of r&b, soul, pop, jazz, funk, or whatever other genre you could attach to him. the man is an incredible artist, and he is stuck playing “burnin’ up” alongside two crappy guitarists and some iffy vocalists. what happens to nick, who is supposed to be the good singer in the group, when he first starts his verse of superstition? and kevin and nick both playing guitar…it’s a bummer to me that in our culture, showmanship is favored over actual talent. you might not be able to play your instrument very well, but if you are a natural born performer, than you will probably be famous. shame. and joe needs to stop trying to growl when he sings. it’s not happening buddy.
hip-hop performance of the night: swagger like us – m.i.a., jay-z, kanye, t.i., lil wayne
this is ok. m.i.a. is incredibly fat. jay-z clearly has the most class of any of them. kanye, since when did mullets become fashionable again? t.i. kind of just sucks. and lil wayne, my goodness i do not understand what the appeal of this guy is. he won some grammys last night, thank goodness he didn’t win the big one, album of the year. granted i haven’t heard his universally-hailed album tha carter III, but what i have heard is just bad. awful beats, like painful to listen to. i do not get why he is so freakin’ popular.
so those were the performances i saw. there was one little “bombshell” dropped by some presenters. blink-182 is reforming. an ellipse is really the only way i can communicate my emotion for news. blink sucks. they are basically responsible for making that crappy pop-punk garbage that infests the radio nowadays phenomenally popular. but i mean come on, who doesn’t love a band who releases albums such as enema of the state and take off your pants and jacket? and honestly, who can forget their cameo (the mere fact that it’s a cameo just makes me fandom soar) in the classic coming-of-age movie american pie? HORRIBLE. all the way around they are a terrible band who should not make any more music or try to be relevant at all. in any way.
ok as far the winners of the grammy awards go, i was generally fine with it, with a few exceptions.
1. jennifer hudson won for best r&b album. without a doubt, this should’ve gone to al green for lay it down, by far the BEST r&b, and nearly the best of any genre, album released in 2008.
2. raising sand and songs from it won record of the year, album of the year, and best pop collaboration with vocals, among other awards. now i get that this is a really good album. i’ve listened to it, and it was ok. i didn’t fall in love with it. it’s got a very distinct sound that i am surprised has garnered so much acclaim. but record AND album of the year? no way, especially when you look at both of those lists: coldplay, adele, radiohead. there was so much good music that probably should’ve won. and best pop collaboration with vocals should’ve absolutely gone to alicia keys and john mayer for lesson learned. i think i’ve written about this song before, how it is one of the most gorgeous pieces of music i’ve ever heard in my life. robert plant and alison krauss sound good together, but alicia and john KILLED it with that song. such a bummer. my biggest beef with raising sand winning so much, and are you ready for the bombshell here? IT WASN’T EVEN RELEASED IN 2008! it was released october 2007! and it won the grammy for best pop collaboration with vocals LAST YEAR! it’s ridiculous. how is that even allowed? upsetting.
while i was displeased with those awards, i was EXTREMELY pleased when i found out daft punk had won for best dance recording AND best electronic/dance album, with around the world / harder, better, faster, stronger and alive 2007, respectively. SO deserving. that album is awesome.
so all in all, a pretty good show (i think, since i didn’t really watch it). let’s hope the oscars aren’t any worse.
so it’s been a little more than a week since kanye west released his latest, 808s and heartbreak. granted, i didn’t have loads of time over break to digest it, but i feel at least introduced to the album now. here are my initial thoughts.
actually i want to start by saying that i am excluding pinocchio story from any review i do of this album. that song is so terrible and i’m so confused as to why kanye tacked it on the end. kanye might’ve said “scrotum” in graduation’s closer, big brother, but that tune is far and away better than pinocchio story. so i’m not even counting that as part of the album. moving on.
right off, i knew it was gonna be different. i did my very best not to go into it thinking it was “kanye’s fourth album”. and it’s not at all. the whole thing feels like a side project rather than an album in the “kanye west” discography. obviously as time goes on, as his listeners absorb this album and he releases more, we will find where it fits with the rest of his albums. but right now, a week after it came out, it doesn’t feel like it fits anywhere with his previous three records. he sings and makes use of the auto-tune through the whole thing. no real rapping here, at least by kanye. this isn’t really a bad thing though, at least it doesn’t take away from the album. kanye isn’t a good singer (if you’ve ever heard him live…egh.) but the auto-tune corrects his off pitches and gives him a robotic element that is pretty cool. very importantly though, he doesn’t overdue the robot voice like t-pain, so i haven’t gotten sick of that.
the thing right away that was hard for me to get around and i’m still trying to get used to is the music. talk about veering away from what worked for him. kanye was one of the kings of sampling and organic, original hip-hop beats. this is so far away from that. he used a drum programming machine, the roland tr-808, for most of the beats, and instead of actually sounding like a real drum kit, a lot of the foundational beats of this album sound really computery. still, not necessarily a bad thing, but what he layers on top is what i didn’t warm up to right away. there’s more piano here than his previous work, which isn’t bad, but a lot of it is just really repetitive. and that’s where i think i go off track with this record. there is so little variation here. almost all the songs are just one chord progression with little difference between the chorus and verses. there isn’t enough that draws me in. lots of reviews i’ve read are saying things like this is a bold move from his previous work and it’s a really new original thing for him to do. i’d say it’s a bold move, but i wouldn’t say it’s original. so many of the songs sound like what everybody else is doing right now. with a few exceptions, this could’ve been an album from t-pain or akon. it’s new in terms of kanye’s catalogue, but in terms of popular music right now? not at all. heartless is such a bore to listen to for me because not only it is super repetitive, it sounds like a thousand other people’s songs. same with robocop (especially robocop) and see you in my nightmare. amazing sounds like it was made 100% by timbaland. street lights sounds like a postal service tune with a black guy singing. it just didn’t sound new to me, didn’t seem fresh.
i could go through song by song and pick out things i don’t like, but i don’t really want to do that. i think my biggest critique is that this doesn’t seem that new to me. i feel like i’ve heard songs like this before from other artists of whom i’m not a huge fan. i was hoping for something totally off the wall in terms of not only kanye’s music but music in general, not something inspired in any way by lil wayne. there seems to be a lot of potential on this album, it’s just not pushed as far as it could go. like love lockdown, it’s an awesome song, whenever the african drums are getting pounded. but when they stop it’s like are we even listening to a song anymore? this whole album is sparse and i think i was hoping for a little more.
i’m in kind of a rough place cause i don’t want to bad talk this album a lot, i don’t even want to go as far as to say i’m disappointed in it. cause i kind of knew this is how it was gonna be and this is how i was gonna respond to it. but after my first listen through, there wasn’t a single song that i really wanted to go tell colleen about or made me jump around my room. there weren’t any flashing lights or good life type tracks. this just isn’t exactly my style of music. if this album had been released by anybody i probably wouldn’t fall in love with it. kanye hasn’t alienated me with this, he just released an album i’m not particularly crazy about.
least favorite track: see you in my nightmare feat. lil wayne
awful. all the way around. sorry, where the heck is the beat? there is nothing solid at all. and that synth. did kanye choose the “mosquito” setting on his keyboard? horrible sound. and lil wayne…man i am still confused where this guy came from and how he is so popular. i guess i never listen to the radio so i never, ever hear his songs, but i feel like he just popped up like 9 months ago and was suddenly the most popular rapper around. whatever, that’s something for another blog. what is important is that his verse on this song is not good. this whole break-up theme, “see you in my nightmare” idea isn’t good at all. i love break-up songs as much as the next guy, but if you’re really gonna complain about your break-up, do it in a way that is engaging. this is not engaging. this is engaging (#4 for the best angry break-up song ever). it’s just not an original concept.
favorite track: paranoid. this is my jam. my favorite for sure. super fun beat, great sing along chorus, the chords keep me guessing, it’s just an all around awesome tune. thanks for this one ‘ye.
p.s. give me another week and i will like this whole album more than i do now. i started writing this yesterday and listening to the record while finishing this up, i’m liking all the songs even more now than before. so this review only really applies to the first week of listening to the album for me.
this week will be the best in a long time. for many reasons, but very much because of music. here’s what i’m talking about.
– 808s and heartbreak. remember when i wrote about my favorite artists releasing music? tomorrow is one of those days. kanye west is dropping his fourth studio album, and i’m all sorts of excited/nervous about it. excited cause it’s kanye, nervous because he doesn’t rap. we’ll see. either way it’s something to get amped for.
– tonight i stopped by the cedar falls public library to grab the hobbit (hopefully will have that finished by the end of the week) and i happened to glance at their cd collection, which last time i was there consisted of lots of classical, babyface’s mtv unplugged, and timbaland presents: shock value. this time was much better. i found john mayer’s where the light is and joss stone’s introducing joss stone, two albums interlibrary loan said they couldn’t find. super exciting. exciting because the joss stone album is executive produced by raphael saadiq, who is awesome, and joss has a great voice so they will be a great mix, and also exciting because i finally have a legitimate version of john mayer’s cover of free fallin’ (so incredible.) and also his first released version of in your atmosphere, one of my original favorite songs of his. and even though i’ve got tons and tons of live jm shows, whenever he releases anything legitimately recorded, i get excited. i’m listening to free fallin’ right now and it sounds so so good. the guy sure knows how to record an album. so these two are super great.
– ok as i was writing this next paragraph, i realized that coldplay’s new ep, prospekt’s march, is actually being released tomorrow (monday) like kanye’s album. which means it is 2:43 am and i could go to wal-mart right now and buy the ep if i wanted. holy cow. it’s so late but man do i want to hear the ep. i just checked websites of wal-mart, target, and best buy, and target for sure has it the cheapest so i think i’m gonna wait until tomorrow to pick it up. anyway. the ep consists of 8 tracks, 6 new recordings, 2 redos, and i am really excited. over the last five months viva la vida has become possibly my favorite coldplay album, and hearing material that almost made it on the record is really exciting. it’s gonna be great.
– saturday night. my fiance and i are seeing al green live. LIVE. a legend. some adults talk about how they saw frank sinatra, after saturday i get to say, for the rest of my life, that i saw al green perform. i am ecstatic. he is playing at an old theatre in downtown kansas city, a real place with a bar in the back and nice seats. we will probably sit and watch. maybe get a drink. it will be a magical night.
what a week. i can’t wait to write more about all this music. in the meantime, here’s this gem.
nobody sings melody variations like john mayer.