SWEEPING DECLARATION…

…This Year Will Be The Best Year Of Music That I Live To See.

It’s a ballsy statement to make, mainly because it’s contingent on a few artists releasing their newest albums this year, when none of them have made firm commitments. However, all signs are pointing to good things.

First, let’s look at the second tier of good music coming out, because obviously the first tier is the most exciting. As of the end of February, only one album has been released that I’m excited to listen to, Jim James’ Regions of Light and Sound of God. Jim James is the frontman for My Morning Jacket, one of those bands who I never think to listen to, and then every time I do I kick myself for not listening more often. They are awesome. James’ solo debut has gotten pretty solid reviews, and especially from Questlove, upon whom I bestow the highest musical regard. If an album gets Questlove’s endorsement, it becomes a must-have for me. After Jim James’ performance with The Roots on Late Night with Jimmy Fallon, Questlove tweeted, “most beautiful song i ever played on @latenightjimmy. this will be the new say anything ‘in your eyes’ @jimjames” Good enough for me.

The next set of second tiers are all albums with set release dates in the next six months. Keep in mind, this is only half the year.

  • Jimi Hendrix (March 5th)
  • Eric Clapton (March 12th)
  • Josh Rouse (March 19th)
  • The Strokes (March 26th)
  • She & Him (May 7th)
  • Fitz & The Tantrums (May 7th)

Are you kidding me? HALF THE YEAR. Who knows what else will be released in the back half? Other artists that have teased new albums are Jamie Cullum (more than teased, I’m convinced he’s days away from making a confirmed album release announcement), The Bird and The Bee, and Cee-Lo.

Now to the good stuff. I have already written about how excited I am for Justin Timberlake’s return to the music scene, especially after his earth-shattering Grammy performance. “Pusher Love Girl” was so insanely unexpected, both in how awesome it was going to be (I secretly had lowered my album expectations for fear of being severely disappointed) and also just the structure of the song itself. It struck me immediately as a rhythm-heavy song, not in volume but rather in what fundamentally grounded the whole song from going off the rails. But married to that rhythmic element was the most bombastic mix of strings, voices, horns, all culminating a melodic piece of music that floored me. The minor chord in the chorus kept surprising me every single time I heard it, and seriously bore itself into my brain. All of this makes me think that JT is set to release his most musically powerful set of songs yet, but also his most fun. I am psyched out of my mind about The 20/20 Experience.

And here’s where my Sweeping Declaration might prove to be premature. The last two huge album releases have not been confirmed yet, and truly only teased.

Thirteen years ago, D’Angelo released Voodoo and the music world has been waiting for a follow up since then. We might finally see it this year. D had all but retired completely from the scene until January of 2012, when he played his first shows in Europe in over a decade. Later that year, he played his first shows in the U.S. Everyone got excited. Then we didn’t hear anything about a new album. Then Questlove started actively tweeting about studio time with D. Then Russell Elevado, the sound engineering yoda behind Voodoo, started tweeting about finishing up recording and working on mixes of songs off of the new album. THEN in an interview with Billboard just weeks ago, Questlove made a series of seriously exciting statements about the new album:

  • “Right now, we’re just tightening up the loose ends. But I still stand by, 99% of it is done.”
  • “I would not be far off by saying this is probably my generation’s version of Sly (and the Family Stone’s) ‘There’s a Riot Goin’ On.’ It’s potent. It’s funky. It’s an extremely hard pill to swallow.”
  • “If this record is not turned in by February, then something is extremely wrong. Because we worked to the bone in the entire month of January just to tighten up all the loose ends.”

Considering that February is over, I can only hope and assume it’s been handed in to get bundled up for release into the real world. And after seeing this performance video from last year, there’s no way this album won’t be a groundbreaking, watershed musical moment in my life.

And while I would much rather have a new D album than any of the others on this list, I just heard about this next release this morning and am extremely excited about it. Daft Punk have begun seriously teasing a new album release this year. Now I’d heard rumors that they were working on something new, but just recently several things are in place to give those rumors some real weight. First, Nile Rodgers stated he had been working with them in the studio on some upcoming material. Even if you don’t recognize that name, you’ve heard his music everywhere. Rodgers was a co-founder of the band Chic, whose numerous ’70s hits include “Good Times” and “Le Freak” (YouTube them, you will recognize them instantly). He followed up his stint with Chic by producing loads of the most hugely successful music in the next couple decades (Madonna, David Bowie, Duran Duran, Diana Ross, Sister Sledge, The B-52s, to name a few). So fingers crossed, Daft Punk’s new material has a serious R&B/Disco flavor to it.

Second, in the last few weeks, Daft Punk’s website was changed to nothing but this picture:

Image

And in the corner, the tiny little logo of the Columbia record label. This is significant because they had previously released their albums through EMI Records, and a label change means big things are in the works. And let’s be honest, how awesome is that picture?

Third, and by far the most significant, last night during SNL, this came on during one of the commercial breaks:

Oh my goodness. While it is only a 15-second snippet, this is the most blaringly obvious hint that new music is coming down the pipeline SOON. And my previous hope that this music would bear the hallmark of Nile Rodgers’ production has been overwhelmingly confirmed. This snippet sounds like a B-side off of RisquéIt is groovy and it is funky. A breath of fresh air from Human After All, which ironically sounded incredibly unhuman. Much more reminiscent of Discovery, but as if it had been released in 1977. Cannot wait.

With a fantastic line-up of second tier album releases, and the heavy-hitting triumvirate of JT/D/Daft Punk, I think my Sweeping Declaration is a winner. Now if John Mayer surprised everybody by secretly releasing an album of instrumentals he made while he’s been off the grid, there’d be no question.

-Jon

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  1. Pingback: haiku reviews – frank ocean. jack white. bruno mars. | APC

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